Chalks & Crayons Gallery to view other drawings
Roads & Streets Gallery to view related pieces.
Landscapes & Views Gallery to view related pieces.
Mountains Gallery to view related pieces.
Exhibition List for a complete list of events
• Woodward did not keep records of the pastels he called "chalk drawings."
There are four articles linked to the exhibition held in the home of Miss Anna Koch
of Greenfield, MA. Two clippings announced the event with dates and times, the third is a letter to
the editor of the Greenfield Gazette Recorder just following the show, and the last is its summation,
mostly listing what paintings were bought and who bought them a week after.
This painting,
Christian Hill was listed under another exhibit at the Koch home which turns out to be an
error. Dr. Mark listed this and five
other named paintings as its own, separate, exhibit the following year in 1929. Enlarging the article
to the right, you will see it is marked "11/30 1928," on the upper right hand side..
We have
a policy of not creating an art work page unless we have something concrete to establish its existence.
This pastel clearly exists because of the writer's review.
What strikes us most about the
Gazette Recorder article is that it is dated a week before the exhibit, and yet, the reporter has seen
the work prior. This leads us to ask if the exhibit was set up a week before it opened rather than the
week of... or did the reporter get special access to the paintings at the artist's studio?
The three
other articles below ⮟
⮜ Christian Hill is an area in north Colrain (MA) near the Vermont line. There is a
very old church there that holds a traditional Christmas Eve service with wood burning stove, candles,
and rare a old fashion organ you might find in some museum that is worth the drive. It truly takes you
to another time. Other than that, we cannot imagine what the subject could be. Is it the hill itself or
some vantage point of the hill. Is it one of the many dirt roads (some exist to this day) with some
wonderful perspective. We cannot say, there are not many examples of Colrain in the artist's oeuvre.
Woodward generally stayed away from painting the area out of his respect and appreciation for artist,
Gardner Symons. Gardner was instrumental to
Woodward at the start of his career. It was Gardner who encouraged him to enter his work to the 1918
National Academy of Design where it was accepted by jury selection. Gardner had lived in Colrain for
many years and painted many scenes of the area. To Woodward, it was his territory.
It is
perhaps equally important that we point out that at this time in Woodward's career, he is making 4
pastels to every oil. The reason is, he is suffering neuropathy in his hands that does not give him the
dexterity he needs to handle a brush. This phase in his career leads up to his famous 1929 Pynchon
Gallery exhibit featuring his pastels along side oils canvases of the same subject.
We do not know who Miss Anna Koch was exactly. We believe she was related to the family that own a grocery store, Koch's Food Store, in Greenfield, and another location in Turner Falls, MA. There could be more. We are looking into it. The exhibition held in her home in 1928 is not the only reference we have of Woodward's relationship with her. She is mentioned in his 1932 personal diary...
"Very cold with wind, but clear. Packed two pictures for N.A.D. taking all morning. "Out of N.E.
Soil" and
"Grandmother's Lamp". Greenfield in afternoon with Mother and Julia. Mother to Moore's while Fabian
and I bought Julia a dress! Saw Mrs. Koch and Mrs. Tullis on business. Letters all evening."
His mother
is Mary Strong. Her and Woodward's father Orion Leroy (O.L.) moved back to Massachusetts in the late 1920s and
where living with their son by 1932. His father having gone blind for some unknown reason. Julia is one of his
many cousins. The two were very close. She even worked from him for a period of time.