Chalks & Crayons Gallery to view other drawings
Roads & Streets Gallery to view related pieces.
Landscapes & Views Gallery to view related pieces.
Mountains Gallery to view related pieces.
Exhibition List for a complete list of events
• Woodward did not keep records of the pastels he called "chalk drawings."
There are four articles linked to the exhibition held in the home of Miss Anna Koch of
Greenfield, MA. Two clippings announced the event with dates and times, the third is a letter to the editor of
the Greenfield Gazette Recorder just following the show, and the last is its summation, mostly listing what
paintings were bought and who bought them a week after.
This painting, Christian Hill was
listed under another exhibit at the Koch home which turns out to be an error. Dr. Mark listed this and five other named
paintings as its own, separate, exhibit the following year in 1929. Enlarging the article to the right, you
will see it is marked "11/30 1928," on the upper right hand side..
We have a policy of not creating
an art work page unless we have something concrete to establish its existence. This pastel clearly exists
because of the writer's review.
What strikes us most about the Gazette Recorder article is that it is
dated a week before the exhibit, and yet, the reporter has seen the work prior. This leads us to ask if the
exhibit was set up a week before it opened rather than the week of... or did the reporter get special access
to the paintings at the artist's studio?
The three other articles below ⮟
⮜ Christian Hill is an area in north Colrain (MA) near the Vermont line. There is a very
old church there that holds a traditional Christmas Eve service with wood burning stove, candles, and rare a
old fashion organ you might find in some museum that is worth the drive. It truly takes you to another time.
Other than that, we cannot imagine what the subject could be. Is it the hill itself or some vantage point of
the hill. Is it one of the many dirt roads (some exist to this day) with some wonderful perspective. We cannot
say, there are not many examples of Colrain in the artist's oeuvre. Woodward generally stayed away from
painting the area out of his respect and appreciation for artist, Gardner Symons. Gardner was instrumental to Woodward at the start of his career. It was
Gardner who encouraged him to enter his work to the 1918 National Academy of Design where it was accepted by
jury selection. Gardner had lived in Colrain for many years and painted many scenes of the area. To Woodward,
it was his territory.
It is perhaps equally important that we point out that at this time in
Woodward's career, he is making 4 pastels to every oil. The reason is, he is suffering neuropathy in his hands
that does not give him the dexterity he needs to handle a brush. This phase in his career leads up to his
famous 1929 Pynchon Gallery exhibit featuring his pastels along side oils canvases of the same
subject.
We do not know who Miss Anna Koch was exactly. We believe she was related to the family that own a grocery store, Koch's Food Store, in Greenfield, and another location in Turner Falls, MA. There could be more. We are looking into it. The exhibition held in her home in 1928 is not the only reference we have of Woodward's relationship with her. She is mentioned in his 1932 personal diary...
"Very cold with wind, but clear. Packed two pictures for N.A.D. taking all morning. "Out of
N.E. Soil" and
"Grandmother's Lamp". Greenfield in afternoon with Mother and Julia. Mother to Moore's
while Fabian
and I bought Julia a dress! Saw Mrs. Koch and Mrs. Tullis on business. Letters all
evening."
His mother is Mary Strong. Her and Woodward's father Orion Leroy (O.L.) moved back to
Massachusetts in the late 1920s and where living with their son by 1932. His father having gone blind for some
unknown reason. Julia is one of his many cousins. The two were very close. She even worked from him for a
period of time.