Woodward did not keep records of his pastel paintings he called chalk
drawings.
There is no image for this pastel painting, however, an oil painting with nearly the same
name, made the year before, makes it hard not to believe they are not similar in look and
subject.
This pastel is one of 20 newly discovered painting names taken from an audit of Woodward's
personal collection of Southern Vermont Artists Association (SVAA) exhibit programs not originally included in
the Deerfield Academy's 1970 catalog of Woodward's work. We know it is a pastel because Woodward wrote "chalk"
next to its name in the 1947 SVAA exhibit program.
The unnamed painting to the left of the same subject we believe
this chalk to be. It should probably be in the section above if not for the fact that the chalk and the oil
above were made in the same year (1947). Also, the 1947 oil painting is an award winner and was purchased by
renown collector and Woodward's best customer Adaline Have-meyer
Frelinghuysen.
The unnamed painting is suspected to have been made nearly a decade prior due to
its brush-style matching paintings of that era. However, the aspect ratio of the painting in this section is
more similar to that of the pastel painting.
To illustrate what we mean, the aspect ratio (the width to the height of an image) of a typical pastel is 1.32 (22" x 29") and the painting to the upper left is 1.5 (24" x 36"), a difference to that of a pastel of 0.18. Whereas, the 1947 painting above is 1.11 (27" x 30"), a difference of 0.21. Visually, the difference is the 1947 painting is closer to square and the other two are rectangular.
We would be remiss to not also point out that there is a 1937 painting named, The Hill Road, a completely different subject. Still, it is not lost on us that there is again another decade difference, like that of the two Hill Roads in Heath of this page. We would not be surprised to learn this chalk is closer to the painting on the right. However, we feel this is still a long shot.