Mountains Gallery to view related pieces.
Pastures Gallery to view artwork.
Landscapes & Views Gallery to view related pieces.
Late Summer Gallery to view related pieces.
"Painted in 1935. A large canvas of Putts Hill ;which I painted out of doors from Wilder's pasture, the village of Buckland nestled in the valley. Made for an exhibition at Mt. Holyoke College from which the graduating Class was to buy a canvas for the college. They chose one of Daniel Garber's, but the college, under the influence of Mary Wooley and Miss Galt, wanted the painting for the college so it was bought and hung in the library of the college." Sold for $500 (plus frame) in November, 1935, to the college to hang in new Williston Library Wing."
We do not know why Woodward would name "Putt's Hill" as the subject of a painting named for and made for the founder of Mount Holyoke College, and born in Buckland, MA, education pioneer Mary Lyon. Actually it is not Putt's Hill at all! Mary Lyon Hill and Putt's Hill share a ridgeline among them, but Putt's Hill's peak is way to the left of the scene you see in the painting. The other two peaks you see in the distance of the painting are Moonshine Hill on the left and an unnamed hill in neighboring Ashfield. The painting's name is Mary Lyon's Hill for heck sake. It is this sort of thing that illustrates just how little Woodward cared about the painting diary he was encouraged to compile by Dr. Mark and his friend F. Earl Williams. Whenever we see something where Woodward lacked an attention to detail, it tells us how he felt about it.
American artist Daniel Garber was a leading
figure in the Pennsylvania School of Landscape Painting, a group centered around the village of New Hope in
Bucks County, Pennsylvania. The photograph to the right is the painting chosen by the graduating
class.
Hover over and click image to zoom
For more information on Daniel Garber and his artwork
click these highlighed links.
Photo Credit:
Daniel Garber
(American 1880 -
1958)
A Country Town
Oil on Canvas, 1923
Mount Holyoke College Art Museum,
South
Hadley, Massachusetts
1964.249.I(b).PI
Photograph Petegrorsky / Gipe
⮜ The Mary Lyon Hill painting above is often confused with another painting of Mary Lyon Hill,
seen to the left. We believe or theorize that Mary Lyon Hill in September was made after but
ultimately Woodward felt it was not sufficient for what would be essentially a competition. We feel that the
painting to the left holds more qualities to Woodward's true interest, like the pale tone and clouds hovering
just above the hill (a trope that appears often in a lot of his work), as well as being much more intimate due
to its closer proximity than its larger and more square shaped counterpart, Mary Lyon's Hill.
A comparison of the two paintings is given in more detail on the Mary
Lyon Hill in September artwork page. For our purposes here, we simply want to point out that the smaller
painting of the two was kept by the artist in his own personal collection... and for its unique size it was
framed furthering our point.