There is no record of this painting in the Woodward files. In September 2006, it came up for auction at Apple Tree Auction Center and was posted on E-Bay. The signature appeared to be authentic, however, the artist typically wrote the name of the painting on the rear of the stretcher frame and there was no title there. Also, the main frame is typical of the ones he used during the 1940's.
Later, a reproduction of this of this painting in black and white was found in the Grand Central Art Gallery 1949 yearbook which authenticates it as a genuine Woodward.