Roads & Streets Gallery to view related pieces.
Roads & Streets Gallery to view related pieces.
Burning Autumn Gallery to view related pieces.
"Painted at northern end of Christian Hill Road. Bought by Grand Central Art Galleries in 1933 for their annual Founders Show, pictures from which are drawn by lot by patrons. Do not know who owns it but this could probably be learned from records of the G.C.A.G. in New York, 15 Vanderbilt Ave."
We have three notes on this painting...
First, is that this is
Founder's Day painting bought by the Grand Central Art Gallery association and sold through the organization
for their own profit. An important distinction due to the selectiveness of the gallery to pick the highest
quality of paintings to feature.
Second, Much to his chagrin, RSW never knew who
purchased the painting for the G.C.A.G. because they protected the buyer's privacy. It is not RSW's sale. Its
location is still unknown to this day.
Third, the location of Christian Hill Road is
believed to be in Colrain, MA, north of Buckland, east of Heath, and up high in the hills near the Vermont
line. As far as we know, this is the only known painting RSW painted in Colrain which was once the hometown of
fellow artist Gardner Symons. Symons once helped Woodward and may have
mentored him between 1918 and 1920 early in Woodward's career. We suspect that RSW avoided Colrain in
deference to Symons. Symons passed in 1930.
The artist used the trees he had painted on the left side Falling Gold and the right side of Heath
Village to create Village Street. Woodward combined the
scene of Heath Village with the trees left-side tree line of Falling Gold. He made very few
of these "composite" paintings. Most made between the years 1938 and 1945. Heath Village was made in
1943.
While we have the sepia print of Falling Gold, the only sense we
have of the coloring and gold of this painting is found in a "composite" painting made by RSW named,
Village Street. Woodward used the tree line on the left of the painting to compose Village
Street. The gold suggest the painting is a mid-to-late September, early October painting. Note the hints
of red starting to enter what are probably maple trees, that go from green to gold, to orange, then red and in
some cases show all for colors at the same time making maples perhaps the most beautiful of all the foliage
trees.