There is no record of this oil painting in the RSW diaries. There is, however, a mention of
its chalk or sketch in his personal diary (Woodward was experimenting with modern "sketch-styles" with pastel
and charcoal between 1928 and 1933).
This leads us to making an addendum to the information given on
this page for the past 20 years. It was initially believed that because the label (below) has what appears to
be a "1921" penciled on it that this is somehow the year. But Woodward is not invited to join the Grand
Central Art Gallery (GCAG) until 1931, and we have a letter by Woodward discussing his pleasure to be
associated with the GCAG. We have no record of any previous relationship.
Also, the style of this
painting is more fitting to the style he adopted after his 1922 Redgate studio fire. It is akin to paintinings
like Woodland Edge (1931) to the right or October Flame (1932) when he was still applying a mix of blended and
moderate impasto brush methods to his autumn paintings.
The provenance on this oil relates that the purchaser was informed on buying the painting that the artist had also made a previous sketch of the scene, or possibly a chalk drawing. There was a record in the RSW's personal diaries of there being a chalk drawing with this title but no further information.
The painting came up at a private sale in June 2013 in Connecticut.
To the left, is an image of the tag from the original sellers Grand Central Galleries. It was listed
for $600. It reflects a bit of a "markup" from Woodward's normal price for a 25" x 30" painting suggesting to
us this may have been a "Founder's Day" painting. The Founder's Day exhibit for the GCAG was the gallery's
annual fundraising events. The gallery would purchase their favorite paintings from their stable of artist at
not quite a wholesale price and re-sell them keeping the proceeds. It was part of being a member of the
association.
It is no surprise to us this early 1930s painting does not have a diary comment. Many
of his GCAG "Founder's Day" paintings are not in his painting diary.