Farms Gallery to view related pieces.
Roads & Streets Gallery to view related pieces.
Stunning Skies Gallery to view related pieces.
Fences, Gates & Doors Gallery to view related pieces.
Landscapes & Views Gallery to view related pieces.
Illuminations Gallery to view related pieces.
Brooks, Ponds, Rivers Gallery for related pieces.
• Woodward did not keep records of the pastels he called "chalk drawings."
This piece was exhibited at the 1928 J. H. Miller Co. Galleries Exhibition along with 37 other paintings
and chalk drawings.
Was originally located on Central Street in Plainfield, MA,. We have
recently learned it was located on South Central Street, a few miles south of town center. S. Central's path
has changed since 1927 when RSW drew the chalk and so pinpointing the exact location is difficult.
Below: is the McCall's October 1927 cover for which High in
Plainfield. accompanied an essay by Corrine Roosevelt Alsop. To view a hi-res image of the magazine cover
and article Click Here or the button
provided below.
The above chalk drawing was the featured illustration of an essay by Corrine Roosevelt Alsop. It is very unusual and it has us asking if the drawing was made specifically for print. The chalk is very monotoned in color, as if, RSW purposely designed it for print. He did not color the barn's wood or the sky, he went dark and heavy on the black and muted the greens and blues for the distant landscape.
We also wonder if there may have been a connect between RSW and Aslop. Was Alsop made aware of RSW
by Adeline Havemeyer Frelinghuysen, whose wedding to her husband P.H.B. Ballentine, featured FDR as a
groomsman.? Aslop is the cousin of Eleanor Roosevelt and was a bridesmaid in her wedding to FDR. RSW may have
met Adeline in the summer of 1927. She had a preference for pastels and may have spoken highly of him.
Adeline, over the course of Woodward's career, was by far an away his best customer.
As a footnote:
RSW would again appear as the featured artist to another story, two months later in McCall's December issue. [
see: Unnamed: From My Winter Shelf ] Only, the artwork was
mis-credited to RSW friend Margorie Lunt. McCall's had the second
highest circulation of women's magazines with roughly 750,000/month. Clearly Woodward's largest exposure to
date in his career. Ladies Home Journal had a million subscribers.
A photo (above) of the old farmhouse (out of
site to the right
above) is shown in a similar Howe
brothers photograph taken in 1898. The barn was
taken down in 1953
and the beams and chestnut
planks used in restoring this house.
The photograph (above) is from the Howes bro-
thers collection
was sent to us to add to this site.
It was taken in 1897 showing the barn and Mr.
Shaw with his
oxen: