"Painted in 1931. A larger painting of the Old Oyster House in Boston on Union Street, made from the smaller 27 x 30 canvas which in its turn was made from the chalk drawing made on the spot in 1931, the week I had Florence Haeberle's house in West Newton. The smaller painting 'Oyster House' was sold by the Grand Central Art Galleries from their Founders' Show in...... while the original chalk was bought by Dean and Mrs. Howard Robbins of Heath, Mass (summer address)."
We believe Woodward is not remembering this painting in his remarks above. The paintings he is referring to is
a painting originally named The Oyster House (1931) and later changed to
Boston Romance (1933). Boston Romance is the painting that sold at the 1937 Grand Central Galleries Founders'
Show.
However, the artist actually had 4 paintings of two scenes all exhibiting at the same time but never together at the
same place. We believe the painting of this web page's subject is an oil version of the chalk drawing by the same name seen to the
left. For example, you will see that all four paintings, the 3 by the same name In Old Boston, and the then named The
Oyster House, ALL exhibited at the Myles Standish Gallery in Boston, in 1931, but each in different months (Jan., Feb., Mar.,
and June)
This has been confirmed through the exhibition records as well as by newspaper. The Boston Globe's art critic, A.J.
Phillipott remarked on the painting in a March 10, 1931 column for the Myles Standish Gallery in Boston where the only In Old
Boston painting hanging at that time was the 27" x 30" oil painting. Also note that Philpott makes no mention of the Oyster
House. Instead he talks about 18th century architecture, "along Union Street."
Philpott ends his comments on In Old
Boston by the painting is painted in "just the right key." What we think he means is that in music, "A key tells you the tonal
center and the mode," suggesting the architecture holds the central theme of the work.
Because Woodward has essentially forgotten this painting in his diary. According to the exhibition records its last known location was the Valleyhead Sanitarium run by the artist dear friend Dr. Lawrence F. Lunt. We know Dr. Lunt owned paintings by Woodward, in fact, in the artist earliest years the good doctor was his biggest advocate. Still, there is no tangible records of how many paintings the Lunts possessed in total or what happened to them all and so we can only speculate that this painting may have ended up with them. We would not be surprised to learn this.
The neighborhood street you see in the pastel painting above is most likely in the same area
as the Ole Oyster House on Union Street. It appears more residential, meaning less touristy than the crowd you would see around
the famous restaurant but we have been unable to identify it for certain. However, if you see how the street widens from a narrow
path to a wider one. This scene could possibly be Salt Lane immediately behind the oyster house building. Note there are no cars on
the "street" near what is probably just an alley people can walk.
Examine the Google map captured image to the left and
you will see a similar angle of road just behind the Oyster House on Salt Lane.
For an excellent map of Boston in 1895
CLICK HERE. The map will open in a new tab. Zoom in on it and see if you can find the location of the Ole Oyster House.
With the development of the new government center in the 20th century and the big dig of the 21st century. The area has changed so
much. However, if you use the location of Faneuil Hall, and find Hanover Street you will locate Green Dragon Lane today known as
Union Street. Union Street did exist in 1895, just not south of Hanover.
Just for fun, Click Here to learn what a good steak or lobster dinner cost in the 1940's