This website is a tribute to the life and artwork of Western Massachusetts artist Robert Strong Woodward (1885 -1957).

Current Announcements

"The Living Landscape of Robert Strong Woodward" Exhibition @ the Pocumtuck Valley Memorial Association

Previous RSW exhibit at
PVMA Memorial Hall
Once again an exhibit of Woodward's paintings is in the works. Starting the weekend of September 14, 2019 and running through the end of October RSW's work will be on display in what is becoming a tradition and close relationship with the PVMA. One which we cannot be more grateful.

IN REMEMBERANCE
               OF FABIAN STONE

100th Year Anniversary of his
Employment with Woodward

As of late, we have focused our energies on friends of RSW from his childhood. However, Fabian's role in Woodward's life is indelible. He first came to work for RSW as a handyman in 1919. Over their years together they would grow very close. Fabian was a master craftsman at nearly anything he put his mind too. He was instrumental in the renovation of the Hiram Woodward Place, the Little Shop and Southwick Place, as well as, building the Heath Pasture Studio. The pair, unfortunately, had a falling out sometime in the early 1940s...

Recent News

THERE WAS ANOTHER PACKARD! A 1931 - '32...

For the past few months we have been working on transcribing Woodward's 1932 personal diary. It did not take us long to make a new, shocking, discovery... on January 8th he writes, "Warm, gray day. In new car Packard I went out to work for the first time this year..." So there was another car between the '29 Nash and the '36 Packard. At this time, we do not have a known picture of the car, however, we must reexamine all the Packard pictures for differences...

Monthly Featured Artwork from our 2019 Calendar: Happy Sugar House

Steaming Sugar House, a painting by Robert Strong Woodward. The October view as depicted on the 2019 Buckland Historical Society Woodward Calendar.

Website's Key Features

Welcome to RobertStrongWoodward.com! The website is divided into two main features. First is the Gallery of Woodward's artwork sorted in themes and then alphabetically. There is also the Scrapbook which contains collections of stories, memorabilia and specific citations related to Woodward, his life and achievements. It is at once a tribute and historical record of Woodward and the life and times from which he drew his inspiration.


Woodward's Studios

As a result of Woodward's handicap and thus limited mobility, his studios, by extension, provide a significant insight to the artist and his work. From his early paintings of the woods and brook behind Redgate, to the infamous wind blown beech tree atop Heath Pasture and his stunning window paintings from his Hiriam and Southwick studios you gain appreciation for the artist's work.


The Artwork Galleries

The galleries consist nearly 800 known works of art created by Woodward. We have some form of an image for approximately 75% of them! The galleries are organized in two ways, first, is the Theme Gallery, sorted into 25 categories. The second is alphabetically, making up 8 separate galleries plus a gallery of artwork RSW didn't name or we do not have a name for at this time. Plus, visit our Complete Works List and surf the website from there!



Our Recollections Scrapbook

The Recollections Scrapbook is a collection of personal accounts from people who either knew Woodward personally or related to us an experience they have had related to Woodward. A number of the stories told come from this website's originator, Mark Purinton (seen in picture to the left with Woodward), who started working for Woodward as a boy.




Painting Stories Scrapbook

This is our "story behind the paintings" collection. It includes some of Woodward's favorite subjects, such as, his neighbor Harrison Keach's Farm, the Halifax (VT) House and the North Window of his Southwick studio. There is also Charlemont Bridge artwork before the bridge was destroyed in the hurriciance of 1938 and Marlboro Church, part of a "church series" Woodward was commissioned for by industrialist Francis P. Garvin before his death.



Recent Website Updates

09-09-2019 NEW ARTWORK

To A Friend; Illumination

This hand-drawn illumination made during Woodward's commercial artist years (1911 - 1917) was discovered by Janet Gerry who has an uncanny ability to locate RSW's work while doing something unrelated. The verse is borrowed from Robert Louis Stevenson's book of poetry, Underwood, Chapter XI, "To Will. H. Low.


09-13-2019 NEW PICS

August Shade, Sepia

It was time to update a number of the sepia prints in the estate. Many of the images we had were scanned nearly 15 years ago so we set out to re-capture them in a higher, most crisp resolution. This painting is one of a number of new scans. Enjoy!


09-09-2019 NEW PICS

Dooryard Elm, Sepia

It was time to update a number of the sepia prints in the estate. Many of the images we had were scanned nearly 15 years ago so we set out to re-capture them in a higher, most crisp resolution. This painting is one of a number of new scans. Enjoy!


09-14-2019 NEW PICS

Hill and Valley

It was time to update a number of the sepia prints in the estate. Many of the images we had were scanned nearly 15 years ago so we set out to re-capture them in a higher, most crisp resolution. This painting is one of a number of new scans. Enjoy!


09-14-2019 NEW PICS

March Snow

The only image we have of this painting is an old grainy photograph. However, that photograph was scanned for the website nearly 15 years ago and we made every effort to re-cpature the photo in a high resolution and better contrast and depth.


09-14-2019 NEW PICS

Shaded Road

It was time to update a number of the sepia prints in the estate. Many of the images we had were scanned nearly 15 years ago so we set out to re-capture them in a higher, most crisp resolution. This painting is one of a number of new scans. Enjoy!


09-19-2019 NEW PICS

Silent Evening, Sepia

We now have a new image of this painting which was added 6 months ago but the sepia image we had has always had a glare in the lower portions of the print. We re-captured it in hopes of providing a clearer respresentation of the sepia. There is still a glare of sorts because there is a sheen on the image but the new scan is better.


09-19-2019 NEW PICS

Summer Landscape

It was time to update a number of the sepia prints in the estate. Many of the images we had were scanned nearly 15 years ago so we set out to re-capture them in a higher, most crisp resolution. This painting is one of a number of new scans. Enjoy!


09-24-2019 NEW PICS

October Flame, Sepia

We have a lovely color picture of this vibrant painting. Over the past couple of years we have been adding the sepia prints to the artwork pages and with that have now added this paintings sepia to its page.


NEW SKETCH DRAWINGS

As we work to build the new Sketchbook Gallery we have been releasing new, never before seen sketches featured in the gallery. Here are some more...


Peltier Farm, Chalk

Rolling Pastures

Shaded Farm

Simple Hills

Strength of New England

09-26-2019 NEW PICS

North Mowing

It was time to update a number of the sepia prints in the estate. Many of the images we had were scanned nearly 15 years ago so we set out to re-capture them in a higher, most crisp resolution. This painting is one of a number of new scans. Enjoy!


09-28-2019 NEW PICS

The Window; A Still Life and Winter Scene

We have two images of this painting, (1) is its sepia which has always been used and the other (2) is from the Boston Museum of Fine Arts. It is a simple, but crystal clear black and white photograph. We have decided the because of its clarity we would use the photo with credit given to the Boston MFA.


09-30-2019 NEW PICS

Woodland Mystery

It was time to update a number of the sepia prints in the estate. Many of the images we had were scanned nearly 15 years ago so we set out to re-capture them in a higher, most crisp resolution. This painting is one of a number of new scans. Enjoy!


10-02-2019 NEW INFO

New England Heritage

In transcribing Woodward's 1932 personal diary we have learned that he was incorrect about the buyer of this painting in his painting diary. This information is supported by another source and so we have updated the info regarding its buyer... The surprise is it was bought by RSW's bookplate client Francis Meredyth Whitehouse! Read more...


NEW SKETCHES

As we work to build the new Sketchbook Gallery we have been releasing new, never before seen sketches featured in the gallery. Here are some more...


Back of the House

Below the Orchard

Big Chimney #2

Big Chimney #3

Blue Hills

09-01-2019 NEW PAINTING

Summer in Manchester

This chalk drawing was brought to our attention by its current owner. Though we will work on getting a better picture please enjoy this new addition to the catalogue.

This 1937 painting has a perspective of Mount Equinox never before seen in RSW's work.


09-01-2019 NEW PICS

Country Sitting Room

Fitting with our effort to provide the best images of avaliable. We recently re-shot new pictures of this early Woodward paintings of the interior of the Keach home using a new technique to reduce the glare from the high gloss RSW used early in his career.


09-01-2019 NEW PICS

Passing New England

Another new image from the estate's sepia collection (the previous was A Hill Road below). This painting is one of several "Editorial" paintings RSW painted between 1929 and 1933, at the rise of the American Art Scene Moverment. The painting was widely exhibited culminating in it being invited to the Art Institute of Chicago in 1936 by its director Robert Harshe.


SEPTEMBER 2019

As we work to launch the new Sketchbook Gallery we realized that it would be a good idea to start rolling out the individual pages of the new ones for you to enjoy. We start with the sketches we qualify as "drawings." This is to say they had to meet a criteria of completeness without evidence of hast or brevity. This includes shading and skies with clouds. See the next column for links...


NEW SKETCH DRAWINGS

Barn Along the Orchard

Camel's Hump

Clouds Over Equinox

Deerfield Church

Diginity of Age

Distant Drama

Down a Shaded Road

Endless New England

Haying Time

Low in the Valley

Majestic Farm

09-01-2019 NEW PICS

New Hay

Some of RSW's early paintings were painted in a style of impasti so heavy on the brush it has ridges that pick up the slightest light from any direction, New Hay has been our greatest challange because of the dark browns and blacks used to paint the inside if the Keach barn. The glare from this painting is so distracting it makes it difficult to fully appreciate its vibrancy. To date this is our best effort yet...


08-10-2019 NEW PICS

A Hill Road

Not only did we just recently correct some information on this page but we have also come across prints the allow us to offer the viewer a better look at this painting.


07-31-2019 NEW PICS

High in Plainfield

We recently heard from the owner of this wonderful 1927 chalk drawing. It was featured in the October issue of McCall's magazine accompanying an essay written by Corinne Roosevelt Aslop, cousin of Eleanor Roosevelt. We always wondered how this came to be but now seeing how it was drawn suspect that RSW drew it specifically for print.


07-31-2019 RENAMED

Into the Woods

For some time now, we of extended an offer to the owners of unnamed Woodward's. In Woodward's time he permitted buyers of his work direct from his studio to name the paintings they were purchasing if not already named. In that tradition we offered owners of unnamed paintings to select a name so that they may join the regular alphabetical galleries. This is the first painting to take advantage.


07-31-2019 UPDATED

My Grandmother's Lamp

In the constant pursuit of digitalizing the archive of Woodward's papers and documents, we have also been updating the images on the website in new high-resolution pictures. Regarding this particular painting, RSW commented in his personal diary in 1932 as he was painting it. We have updated those images and transcribe them for your convenience, enjoy!


05-31-2019 NEW PICS

Mild Winter

New color pictures of this wonderfully bright and vibrant Heath pasture and Beech Tree scene.


05-30-2019 NEW PICS

Silent Evening

New, clear and crisp pictures of the early 1920s painting. The picture shows a better look of the pink reflection on the snow in what is probably a setting sun.


05-29-2019 NEW PICS

Charlemont Bridge
Long Bridge
Through Summer Hills
Through Summer Hills, Chalk

Another photograph that appears similar to paintings of the same subject. This one in particular is early 1930s, years before the hurricane of 1938 which wiped out the Charlemont Bridge featured. All but one of these paintings were painted after the '38 storm.


05-22-2019 NEW PAINTING
NEW PICS

Unnamed: South Window

Found in a series of color slides left in Woodward's personal items is this previously unknown south window painting. The slide had some damage but it is clearly different from the only other known south window painting June Sun. From the same slides we included to photos of the south south window arrangements, in color, as it was in the 1940s.


05-21-2019 NEW PICS


Unnamed: North Window in Winter

We have always had a black and white image of this painting. What we didn't know is that the black and white prints were actually color pictures printed black and white. The color images were made into slides recently discovered in RSW's personal items. As an extra treat we added a color pic of a studio dinner table setting and arrangement.


05-13-2019 PIC ADDED


Slanting Silo, Oil

Among the recently discovered color slides was a photograph of this barn appearing much the way it does in RSW's 1947 painting but from a different vantage point. The color pictures are from the early 1940s and we bleieve it was 1942 to be more precise.


05-05-2019 NEW PIC


New England Autumn

When revising and adding new pictures to Bennington Church page (see below: 2 rows down) we were reintroduced to the 1940 Yankee Magazine feature on Woodward. In that article was a picture of this painting. We already had a sepia image of this painting but it a bit blurred. We added the magazine pic for its better focus.


05-05-2019 NEW PIC


Invitation
Open Doors

Among the recently discovered color slides was a photograph of Woodward's Heath Studio garage from almost the exact perspective found in these paintings! Another excellant example for our exploration into what role photographs had in Woodward's work.


05-03-2019 NEW PICS

The Hills

For the first time ever, we are sharing more intimate pictures of Woodward left in his personal items after his passing. HERE we share 3, never before seen photographs of RSW painting "The Hills" from his beloved Heath pasture, under the Beech tree, near the edge of the ledge.


05-02-2019 NEW PICS

Peace of Years

Another never before seen photograph of Woodward in his '36 Packard painting this artwork. You cannot see RSW very well. The picture was taken from a distance but reading his diary comments adds a great deal of importance. This picture was taken, probably by Dr. Mark, the day before he was to leave for the Air Force in 1944.


05-02-2019 NEW PICS

Double Victory

In an effort to digitalize every photograph left to Woodward's estate from his personal items. We are finding a few pics related to, if not exactly but close enough, in perspective to known paintings raising the question of how much RSW used photos in making them. This chalk drawing, however, is what we believe to be emblematic of RSW's larger philosophical view.


05-01-2019 NEW PICS

Sun on the Balcony

Another couple of photos found in RSW's personal items of the balcony at his Southwick Studio. One, in particular, has a similar perspective but the table setting arrangement is different, the other is from a different vantage point but shows a similar table setting.


05-01-2019 NEW PICS

The Potter Homestead,
In the August Sun, and
In the Afternoon Sun

As part of RSW's personal items we found 2 photos of the Potter Homestead in Greenfield, MA. The pinting was to be part of the Garvin commission which consisted of mostly churches. This is the only home we know of painted. Also part of the Garvin commission is the Bennington Church (the next row down).


April- 2019 REVISED

Beulah Bondi

In light of new information regarding RSW's good friend actress Beulah Bondi, particularly from Helen Patch's recollection we have revised the page devoted to her adding more specific details to when Bondi visited RSW and reported some exciting news about her estate./


April- 2019 UPDATED

Exhibitions List

As we continue to pore over RSW's papers we learn of more exhibitions. The two most recent additions are significant... (1) 1926, Josephine Everett lent two Woodward's to the Los Angeles Museum of Fine Arts. This is much earlier than we expected the two to have had a relationship. (2) 1937 the Inaugural Exhibition of Mint Museum, Charlotte, NC. Today one of the most highly regarded museums in the country.


April- 2019 NEW PICS

Majestic Monadnock and
In the Summer Sun

The next three updates are related to our attempt to digitalized ALL the images we have from Woodward's personal item left in his estate. In the collection we located a photograph that nearly mirrors the subject matter of these to related paintings of Monadnock from East Jaffrey, NH.


April- 2019 NEW PICS

Bennington Church

In old photographs in RSW's personal items we found these two pictures of the Bennington Church, one of which looks to be very close to the painting's perspective raising the question of how much Woodward use photographs to paint artwork from his studio.


April- 2019 NEW PICS

From Our Forefathers

In old photographs in RSW's personal items we found this photograph of the "Goodnough" house in West Halifax, VT. It was the neighboring farm to his beloved Halifax House. The picture appears nothing like the perspective of the painting, however, we do wonder if it may have been used as a reference point to paint the scene.


03-15-2019 PICS ADDED

Busy Sugaring
Four Maple Trees in March Four Maple Trees in March (Sketch)

The website has been busy digitalizing ALL the pictures in the estate scrapbooks. In that process we came across this old pic of the Griswold maple trees and sugar house seen in these works of art. The picture has been added to the pages.


03-14-2019 NEW PIC

Silent River

Digitalizing all the pictures in the estate's scrapbooks we discovered a picture of this painting better than the one we had and have now updated the page.


03-11-2019 NEW PIC

The Three Chimneys

Digitalizing all the pictures in the estate's scrapbooks we discovered a picture of this painting better than the one we had and have now updated the page.


03-09-2019 PICS ADDED

Unnamed: High in Leyden

The website has been busy digitalizing ALL the pictures in the estate scrapbooks. In that process we came across this old pic of Woodward in his Packard painting en plein aire this very piece. These pictures are some of the best samples we have of him working from the touring car. Also, he just so happen to note the pictures as , "Beecher's Pasture (Leyden)" and so we have changed the name of this Unnamed painting to reflect its location.


03-08-2019 NEW PIC

October Farm

Digitalizing all the pictures in the estate's scrapbooks we discovered a picture of this painting better than the one we had and have now updated the page. This image has been difficult to get a true representation of its appearance because all we have is the magazine cover on which it appeared and the colors used in print (particularly the yellow) is a bit over saturated, as well as, faded by time. We will continue to work to get it as close as we can.


03-06-2019 NEW PIC

Winter Song

Digitalizing all the pictures in the estate's scrapbooks we discovered a picture of this painting better than the one we had and have now updated the page. This image stamped, "Oct 88", has been re-scanned and is better than the previous one. Unfortunately, the image is still not as high a quality as we would like.


03-03-2019 NEW PAINTING

Unnamed: Strength of Years

This painting once appeared on the original website and in the process of updating and redesigning the website... got lost in the shuffle. It is the ONLY painting we have come across in the 11 years of the new design to have been misplaced. Leaving no piece of work behind, it has now been added to the Unnamed Gallery where it belongs.


02-25-2019 NEW PAGE

Helen Ives Schermerhorn

Helen is a friend made from his childhood and became a life long pen pal. If not for Helen's foresight to save her letters from RSW we would know next to nothing about RSW's personal views and interest. We would know so little about his recovery from his accident... A page dedicated to her has been LONG over due! She is in her own right an amazing and accomplished person, please enjoy our story...


02-24-2019 NEW DISCOVERY

Night Verses to the Little Shops

This new illumination was recently discovered in papers related to Helen Ives and later given to RSW's cousin Florence by her sister-in-law Anna after Helen's death.

Made for print, we believe while RSW was making his way as an illustrator, this piece is one which he also wrote the verse! RSW does not mention the publication this piece was published, nor the date.


02-20-2019 NEW PAINTING

Unnamed: Winter Solace

This signed painting by RSW came up for auction online January 28, 2019 and sold for $600.

An interesting piece, we believe, this painting was made very early in his career, and most likely in his childhood. If this is the case, it is the earliest example we have of RSW spelling out his entire name to sign a painting. There is SO much about this piece that raises a multitude of questions and speculation...


02-08-2019 NEW PAGE

Victor J. West

Victor is one of the friends who was most likely with RSW the day of his tragic gun accident. Fast friends through their mutual love of literature and philosophy during their brief year together at Bradley. After graduating from the University of Chicago, Victor was in Los Angeles working for RSW's father as a secretary for the Briggs Realty Company. Victor went on to become the first head of the newly formed Political Science department at Stanford University.


02-02-2019 NEW ESSAYS

Boston Paintings &
Boston Romance

After revising the Boston Theme Gallery to reflect our most recent research we also sought to amend the scrapbook story regarding the Boston trip RSW made in 1930. A critical examination of the Boston paintings raised a number of questions as to exactly what was RSW's complicated relationship with Boston itself. We attempt to draw out the relationship's value as well as its flaws. Both essays reflect our effort to put RSW's career and legacy into context.


11-17-2018REVISED

Boston Romance: The Oyster House and In Old Boston, Oil

For the longest time there was a great deal of confusion regarding how many "Oyster House" paintings there are. We believe we have finally straigthened out the problem after comparing our exhibition list to RSW's dairy comments and newspaper articles we have sorted much of it out and an impending Scapbook page is coming... (continued in the next entry)


11-16-2018REVISED

The Boston Theme Gallery

... The Boston theme gallery now reflects what we believe are the actually paintings painted from his stay in 1930 for the celebration of Boston's 300th birthday. Given the revisions to Boston Romance: The Oyster House and In Old Boston, Oil, we have also revised the original chalk drawing RSW made. He never names the drawing in his diary but we have settled on The Oyster House, Chalk for the time being.


11-15-2018NEW CHALK

Gray Heights

You learn something new everyday... We have always wondered why RSW would vary his spelling of the word grey/gray. For a time we thought his use of "gray" was a reference to color and that "grey" was more a mood. Well the discovery of this chalk drawing might change that theory or at the least put a kink in it.


11-13-2018NEW PICS

Grey Heights

Auctioned by the Thomaston Place Auction Galleries, Thomaston, ME, on November 11, 2018. We learned that not only did we have the name wrong but the name we had this painting listed under is believed to be a previously unknown chalk drawing with a slightly varied name, Gray Heights!


11-11-2018EVENT

Auction Page

On November 11, 2018, the painting Grey Heights was auctioned by the Thomaston Place Auction Galleries, Thomaston, ME, and sold for a hammer price of $8,500. Visit our Auction Page for more...


10-15-2018NEW CHALK

High Heath

This previously unknonw chalk was brought to our attention by its current owner. It is of a solitary farm from a distant field with a backdrop of rolling hills and a big sky above. A closer look, which we provide, shows a woman leading a couple horse while laundry hangs to dry on the clothes line. A truly unique piece!


10-13-2018NEW INFO

Francis Meredyth & Mary Armour Whitehouse
Bookplate

This is embarassing to admit but for the longest time we took this bookplate to be for a Mr. Meredyth and a Mrs. Whitehouse when in reality this is the bookplate for prominant Chicago architect Francis Meredyth Whitehouse and his wife Mary Armour. The bookplate was for their Manchester by the Sea (MA) estate Crowhurst. We include new information and pictures!


10-13-2018NEW PAINTING

Unnamed: Gathering Time

This wonderful unsigned and unnamed 36 x 42 painting, we believe, depicts a farmer leading his oxen pulling a buckboard carraige to collect sap late in the season, sometime around early spring. From its brush style, we believe it was painted sometime after 1935. It features a wide spreading maple, on a knoll, with 3 red buckets attached.


10-13-2018NEW PAINTING

Unnamed: Clouds Over Blooms

In what appears to be painted in his early impressionistic impasto style, this piece illustrates an almost playful mirroring of clouds above with an orchard of apple trees in bloom below. It is interesting to consider if this really occurred and it inspired RSW to capture it or did he take some dramatic license and intentionally painted the clouds in a matching pattern?


10-11-2018NEW INFO

Eugenia Beetle Herring
Bookplate

For a number of years now we have been trying to gather any information we can regarding the identity of Mrs. Herring. We have learned that more often than not, woman from prominant families often assumed their husband's name but kept thier own sans today's custom of using a hyphen. Eugenia Beetle is of the whaling industry's New Bedford Beetles. Visit the page for more...!


10-11-2018NEW PICS

In the November Sun

In a rarity for chalk drawings we have had a high quality black and white picture of this piece for many years. Now we finally have a color picture sent to us by its current owner. It is of the unfinished silo, with the make-shift scaffolding that looks to be fragile at best, RSW painted several times from varying angles.


10-10-2018NEW PICS

Golden Slope

After many years in California having once been owned by close friend, actress Beluah Bondi and her estate, this beautiful autumn painting has come home to New England! Recently cleaned and restored at the Williamstown (MA) Art Conservation Center and on exhibit until Oct. 31st at the PVMA... we may have the pictures but they do not compare to seeing it in person. GO SEE IT!


10-10-2018NEW PICS

Winter Design

Also recently cleaned and restored is this early composite painting of Clark Brook frozen in winter heading towards the Deerfiled River. Besides it being a rare composite painting, it also shows the subtle feature of a setting moon in the west. Also on exhibit until Oct. 31st at the PVMA... we may have the pictures but they do not compare to seeing it in person. GO SEE IT!


10-09-2018ADDED

Early Moonlight,1943

Added to the complete works list is this previously unknonw painting cited by Mrs. Helen Patch in her letters to the Deerfield Academy's American Studies Group in June of 1970. We do not know if she got the name correct because there is already a 1921 painting by the same name but we will keep it in the catalogue until we learn otherwise.


10-08-2018UPDATED

Unnamed: New England Landscape

Previously unknown to us this painting comes to us from its current owner. It is one of those quintessential New England scenes that fits into multiple catagories... roadside, tree, autumn, rock walls and ledge, a fence, a wood pile, with just a glimpse into a distant field and hills beyond. A classic New England landscape, thus the name ascribed to it by us.


09-27-2018NEW INFO

While revising the image for Down an August Road it was determined that this painting could not have been the painting later cut down and renamed Early Autumn. THEY ARE DIFFERENT SEASONS! Upon further review, examining diary comments and exhbition records we not only determined that the "cut-down" painting is In Early Autumn but that there were two previously unknown chalk drawings:
Early Autumn, Chalk and
The Road Home
related to The Home Road


09-27-2018NEW PICS & INFO

Unnamed: Across the Valley

This painting came up for auction and sold this July. We first learned of this painting 20 years ago when it went up for auction in New Hampshire but have never seen it in person until now. The only painting in RSW's catalog of its size, at nearly hundred years old it is in excellent condition!


09-26-2018ARTICLE

Robert Strong Woodward: "Painter of New England's Hills and Farms" by Ernest W. Watson

This wonderful tribute to RSW holds many interesting facts and tidbits, however, what is most impressive are the 6 paintings featured. Five of the paintings are the ONLY good quality images we have! What's more is to this day we do not know their whereabouts. It is remarkable for one article to contain so much value.


09-26-2018NEW PICS

From the article in October, 1946, American Artist Magazine we captured 5 new images of the paintings featured.Tthe paintings are the ONLY good quality images we have! What's more is to this day we do not know their whereabouts...

Down an August Road
When Sap Runs
Geraniums and Glass
Grace of Years
A Summer Valley

Finally, there is also a fully transcribed page dedicated to the article
CLICK HERE


09-20-2018NEW PAGE

Unfinished: Stetson Farm

In an oversight, we missed the inclusion of this wonderful unfinished chalk drawing found with 11 others in an old shipping crate in an attic. This drawing, mostly in preliminary sketch form, lays out the entire West Hawley (MA) farm including the barn featured in both:

Farmland Ledge
The Sliver Barn

We have also added a graphic to these pages illustrating the area.


updates continued...