Recent Website Updates continued...

New image of Under the Winter Moon which is part of the George Walter Vincent Smtih Collection of the Springfield Museum system.

From the archives of the Springfield Museum are letters and documents related to Under the Winter Moon. Especially interesting is Woodward's letters to J.H. Miller and G.W.V. Smith regarding the offer by Smith to purchase the painting.

Previously unknown painting discovered. This unsigned and unnamed piece is near identical and related to My Winter Shelf, however, with a couple of distinct differences.

As always, the website does all it can to provide you the best and clearest pictures of Woodward's artwork. Here is the most up-to-date and best image yet of New England Valley

Recently contacted by its current owner, who also provided the new image, this painting is related to Tangled Branches, only it is a full day time scene.

We just got our hands on these new high-resolution images of this early work of Woodward's just in time to be added to two of our new theme galleries (IN BLOOM and FENCES, GATES & DOORS) Painted in 1919 of mountain laurel blooms on a sloping hillside above the Deerfield River.

It has been a long time coming... we have revised the Theme gallery page by adding 9 new theme galleries!

BURNING AUTUMN
CHALKS & CRAYONS
FENCES, GATES & DOORS
IN BLOOM
PURINTON HILL
QUINTESSENTIAL REDGATE
ROCKS & STONE WALLS
SNOW ON THE GROUND
STUNNING SKIES

Finally we have compiled a gallery of ALL the Chalk Drawings (Crayons & Charcoals) for those fans this art form. Woodward's drawing paintings are unique, in that, work in popular pastels is rare in the art world other than well known artist Georgia O'Keefe and just a handful of others.

What is a New England artist without spectacular autumn scenes? Here we compiled all of RSW's fall foliage paintings we have images for, including anything that show the beginning of fall.

While compiling the other list... the website staff began to notice a pattern. One, there were far more fences in paintings than we anticipated. Two, a lot of fences also featured interesting barn doors and/ or openings and finally... RSW did feature 'doors' in numerous paintings.

The beauty of nature is that things 'bloom' at different times throughout the spring and fall so rather than simply compile 'spring paintings' we pulled together every painting where we cound find something blooming.

One of the most iconic hills in all of Buckland, MA was the subject in numerous of paintings by Woodward but also made its way into others as a distant backdrop.

Woodward's early success as a professional landscape painter are found in these 'atmospheric' woods and wetlands pieces painted from his first studio's back window.

What says "New England," besides fall foliage, more than stone walls and rock ledges? Here is a gallery compiled of all known paintings that contained or featured rocks and stone walls.

The premise of this gallery, rather than simply featuring the 'winter' months, was to include any work of art that has snow on the ground whether it be late fall or early spring!

Big skies are a common theme in many landscape paintings and RSW was no exception. This gallery includes paintings by Woodward that featured the sky or used the sky to frame the landscape he painted.

There was one painting Woodward featured a cemetery and it sat alone in its own gallery. We have now merged that piece with the churches and included ALL pieces that show a church, even if it's just a steeple.

We have reorganized our Scrapbook Gallery into 3 sections improving the viewer's experience in locating topics of interest. The sections are as follows- Stories & Essays, List & Archives and Tributes. Enjoy!

For the longest time, an unnamed and unsigned painting of a vibrant sunset was assumed to most likely be West Glow, until now... Signed and named, along with a label from the Salmagundi Club guarentees this new image is the real deal.

This recently located sketch of the back porch, facing east, between the Southwick house and studio and its view of the valley and hill has been now added to the Sketchbook Gallery along with an old photo taken from almost the same perspective.

This story is an attempt to show how difficult sorting out RSW's paintings of similar scenes and repeated use of similar names can cause fits for the website staff especially when Woodward stays consisted in name and content of one scene but not the other.

This page is an added bonus to those interested in the Southwick Place and classic home styles. Southwick holds true to the Gothic Revival style in the subdued and modest New England way. Built in 1850, it is one of the first Gothic Revival homes in area.

This recently discovered painting (January 2017) of the Keach Farm sugar house is similar to but different, in both size and aspect ratio, from, Steaming Sugar House.

A revised list of Woodward's artwork held by public institutions (museums, libraries & colleges). Not all of them are available to the public, however, the list does note if it is available.

This newly found painting painted from the tree in front of RSW's small studio, affectionately called The Little Shop, of the farm across the road with Purinton Hill in the distance. A really unique piece in both color and tone.

This quintessential Redgate painting has a new high resolution image.

This gorgeous painting of the 'Buckland Hills' from Burrington Hill in Heath, MA is worth a look. See the featured topographical map of Woodward's vantage point.

This page has been revised when it was discovered that Woodward may have posed for a picture in 1922 in front of the painting he may have possibly painted Rushing Brook in 1942. The photo is of poor quality but the features appear to line up.

Up until recently, it was believed that a painting Woodward posed for a picture in front of in 1922 was The Brook. However, in a handwritten note RSW specifically states that The Brook was painted in the "Clock Hollow' section of Buckland not matching the Diary Comments of Rushing Brook.

Wow, when it rains it pours! This newly located painting is related to The Tranquil Hour and Evening Tranquil Hour. It is the same wintry pond with more of the trees surrounding it but in an upright/portrait version.

A beautiful painting of a small New England farm surrounded by wooded hills of late summer, early fall. It features a man plowing a field with his horses.

This recently discovered painting was found for sale on eBay and sold for $4,350. It is a signed but unnamed version similar to Winter Mist.

A Beech Tree painting from the Heath pasture. It is unique in the sense that it from a vantage point not seen in any other Beech Tree painting.

A pasture painting of two hills meeting and divided by a stone wall and featuring a large tree in late autumn from early in RSW's career.

It is still a black and white but much clearer and better resolution of Out of the Past.

This beautiful, signed, painting of birches framing an opening into the woods behind it is believed to be Woodland Edge. However, we were unable to comfirm due to a protective backer board glued to the back of the frame.

A chalk drawing of the Heath pasture sans the beech tree. It features a distant "sea of hills."

A 36 x 42, signed but unnamed version of Woodward's "Winter From the Studio" series of paintings.

A story about the difficulty in making a record of Woodward's art catalog using two winter paintings that have multilpe versions, names and cross paths with each other several times over a five year period.

New information discovered on RSW's very close childhood friend and respected artist in his own right, Joseph Cowell. Cowell is best known to us as the friend who helped RSW attend the Boston Museum of Fine Arts School in 1910.

New pictures of this painting made available by its current owner. This artwork is one of only two known "Redgate" styled paintings Woodward repainted in the mid-1940's.

Recently located this sketch of the Christ Church Limestone in Hanna City, IL just west of Peoria and drawn by Woodward while a student attending Bradley Polytechnic Institute sometime between 1902 and 1907.

Always considered "odd" by the website staff for the power lines drawn in this nature scene by Woodward for this bookplate. We have recently learned that Leonard Curtis was a pioneer in the earliest days of bringing electric power into your home. Read his story!

The Ashleigh Bookplate was made for one of the country's richest men, marketing genius, Norman Bruce Ream. Read more...

This illumination made by Woodward for his mother was made around 1906-07 when he was 21 years old. It was found in the RSW Smithsonian collection of personal photos and papers.

The website has been able to recover most all of the original images of sepias prints thought to be lost forever.

We have currently added nearly 100 new hi-res images of these recovered prints sprinkled throughout the Artwork Galleries having the greatest impact on the Window Picture Gallery with 17 new images!

We did not have an photograph for the painting Late Autumn until recently when it's current owner contacted us and sent us terrific pics.

Check out this beautiful painting of foliage in New England.

We have recently learned the name of a painting we were calling The Greening Tree, 16's real name is Apple Blossom Time

There's MORE, we have learned that there are 4 versions of the painitng all purchased by a group of sisters.

This painting was discovered when we learned of the name for the painting we were calling The Greening Tree, 16's real name. There are 4 versions of the painitng all purchased by a group of sisters and this one is sister Shirley.

Previously unknown artwork titled Spring on the Hill was recently brought to our attention by it's current owner. Check out this beautiful painting of the Beech Tree in Heath.

We are excited to add new pictures of this remarkable window paintings from Woodward's Southwick's south windows. It's unusual size (24 x36) for RSW makes this very unique piece more panaoramic.

We are thrilled to have gorgeous new pictures of one of Woodward's "favorite barn canvases." The Flying Fox was also one of 26 other pieces to be exhibited at RSW's first BIG one-man-show in Boston (1926).

Found in Omaha, NE, this unnamed watercolor could possibly have been painted by Woodward in his adolescence while attending the Bradley Institute in Peoria, IL. We explore the pros and cons...

Having now discovered it's real name, Unnamed#22, has been revised to reflect the change. Added images and a brief story regarding it's orgins.

Previously unavailable to get a suitable scan due to the lightness which RSW sketched them, we have added to new sketches to the sketch book. Sketch#60 is of the 'book corner' from the Little Shop studio and Sketch#61 is a none descript tree lined pasture.

With the discovery of October Gold and Winter Design recently, we also learn that they were once owned by famous stage actor Joseph Holland. He was once famously stabbed (for real) on stage by Orson Wells. Click link to learn more...

The website staff never misses an opportunity to try and improve the viewer's experience with better, more detailed pictures. This artwork and the following 5 others in the next row are all currently being exhibited at the Spaulding Rehabilitation Hospital in Boston.

The artwork October Gold was believed to have been found in 2009 when it went up for auction in Mystic, CT. We discovered we were wrong when the real owners contacted the website in 2015.

The artwork An October Gold was once believed to be October Gold despite it not matching it's reported size. It was not until the current owners of October Gold contacted us that we realized there are TWO golds.

An added treat of the October Gold discovery was that this previously unnamed piece came with the package. Once believed to be just a sketch turns out to be a unique and rare Woodward.

This article features October Gold's appearance at the "Boston Art Week" Exhibition held at Jordan Marsh in 1930, Boston, MA.

October Gold as the featured artwork of the Herald's Rotogravure Section.

The artwork Landscape is used as a feature image in the same newspaper issue as the previous article but in different paper like that often used for 'inserts.' This provided us with the best image of this piece to date.

"Prize Winners at the Academy: Art at Home and Abroad"

A summary of prize winners from the National Academy of Design's annual exhibition, 1919.

The artwork Landscape is used as a feature image in the same newspaper issue as the previous article but in different paper like that often used for 'inserts.'

"New England Scenes,"

The announcement and review of Woodward's One-Man Exhibition at the Lyman Residence.

"Painting Exhibit To Open Tonight," - Announcement of the opening of Springfield Art League's ninth special exhibition of oil paints. The article also list the show's prize winners

"Untitled Review Clipping," - A glowing critique and review of Woodward's prize winning oil landscape, When Drifts Melt Fast.

"New Paintings on Exhibit by Picture Club" - An announcement and brief summary review of the Springfield Art League's 'Circulating Picture Club' exhibit.

Woodward's One-Man Show at J.H. Miller Galleries, Springfield, MA, April 1928 is now ready for viewing!

This show exhibited 37 total pieces of work, 25 oil paintings and 12 chalks.

New hi-res picture received and added to page!

Correction and clarifications made to the artwork page relating to the original painting which exhibited three times in the 1920's.

Correction and clarifications made to the artwork page relating to the original painting which exhibited three times in the 1920's.

Correction and clarifications made to the Scrapbook story relating to the original painting which exhibited three times in the 1920's.

"Untitled Blurb" - A simple blurb announcing the awards and honors of local artist Robert Strong Woodward and his friend and colleague Gardner Symons.

"One-Man Art Show Attracts Attention to Robert Woodward"

Jeanette Matthews, a renown Springfield art critic, writes a review and critique of Woodward's "One-man Show" at J.H. Miller Galleries, in Springfield, MA. Woodward notes, in his own hand, "a good article,' written on the clipping.

New article and exhibition pages added to the "Articles List" and "Exhibition List" relating to artwork exhibited at the Littlecote Gallery's Annual Spring Exhibition in Utica, NY, March 14, 1929

New article pages added to the "Articles List"

The full video of a lecture given by Peter Trippi, Editor and Chief of Fine Art Connoisseur Magazine regarding Woodward.

New hi-res pictures taken and added to page!

Newly discovered painting located. New page added with picture.

New chalk drawing discovery recently up for auction!

For more Auction info Click Here.

There's another? Previously unknown piece comes up for auction! New page created with features the compare the two pieces of art.

For more Auction info Click Here.

New chalk drawing discovery! New page and pictures added.

Newly formatted "Exhibitions" list provides improved viewing and navigation. More improvements, such as, links to exhibit pages are to follow.

Newly created "Auctions" list provides information of all known Woodwards that have come up for auction.

Sorting and organizing all the articles and clipping regarding Woodward, the staff discovers there are two of these chalks. The 1929 chalk was exhibited at the Pynchon Galleries. See the clipping by clicking the link.

Thanks to the article in "Fine Art Connoisseur" (Feb. 2013) this painting was found hanging in the Duquesne Club of Pittburgh, PA.

An essay discussing clouds in Robert Strong Woodward paintings added to the Scrapbook.

This chalk drawing was unknown until it was discovered in a western Massachusetts home.

A discussion about Robert Strong Woodward's use of apples in his paintings.